Mozart: Symphony #33 in B Flat, Allegro Assai Analysis

E- Essay II Mozart Symphony 33 In B Flat, K 319 1. Allegro Assai system Analysis Sonata Form (Time)(Form)(2 or 3 reasons for placing division here) EXPOSITION 0. 00Theme 1MELODY fire up, simple, sequencing and repeating TEXTURE scintillation to suddenly heavy DYNAMICS Contrast from piano to Subito forte HARMONY study with short minor excerpts 135Bridge MELODY Modulates, very short TEXTURE Continues to go from light to heavy 205Theme IIMELODY sassy darker melody TEXTURE Thicker texture, much action HARMONY Minor and moves to major 219CADENCE Ends in a V to I CadenceDEVELOPMENT 229Development MELODY Playful, thematic development of T1, passed around the orchestra TEXTURE Light, step by step gets thicker and very heavy HARMONY Major, modulates ceaselessly in instrumental sections 328CADENCE V to I End in Development melody 1 RECAPITULATION 44Theme 1MELODY Repeat of Theme 1 TEXTURE Almost identical to beginning HARMONY Major with short Minor Excerpts 516BridgeMELODY Repeat of Bride 1 TEXTURE Light to Heavy contrast 547Theme IIMelody Repeat of Theme II TEXTURE Continues to go from Light to Heavy 557Closing Theme MELODY New Material Based on end of Theme II Texture Similar Textures with contrast from light to heavy ending in light 622 Final Cadenza Ending in a Major key transition from V to IThis Piece by Mozart is one of 41 that he wrote and is a Prime example of typical Sonata Form. I thought this was interesting when I found out how compensate this piece was in following the form because of Mozarts Background. Knowing of his childish innovative nature I would baffle predicted a slight distancing from the normal form. But aspects within the piece such as the bridge constantly being traded mingled with parts and modulating helps show Mozarts struggle with himself and his employers.Mozarts dedication to his music is what kept him going simply restrained him at the same time, for he knew of his talents. This can be seen with the constant sudden switchin g between light and quietnessful melodies to sudden heavy and almost forceful textures of the same melody. This really can permit one see the internal struggle he had between his music and the outside world, and both the peace and stress it caused him.